Expectations and demands for high quality architectural photography has changed over the years and the architectural photographer, the technique of set up, especially in terms of domestic photography you need. Architecture is always evolving; to quote the great architect Louis Sullivan; “form follows function”, and new construction materials such as energy efficient UV glass, such as is available, a more practical form and function of the architecture you can make. Many architects, especially to the southwest natural now, although visually very photo homes with large windows, an architectural photographer at the same time can be difficult for the home, which we are planning to bring into the appearance of the landscape. This many high-end buildings that have been built between the housing and applies to many natural areas, natural environment, architectural photography. Domestic demand photographer and an architectural photographer, elements of composition, as well as a well-lit interior along with the outer appearance of the ability to attract the beautiful desert there will be many situations such as.
To solve this problem, high-powered strobe lights to balance the interior exposure to Bright Outdoor architectural best lighting for the photographer; otherwise, the external landscape can be reached via scene recognition. -F stop to pose based off the strobe output and the shudder speed is determined by the exposure to the appropriate external; external ambient light subtly finessing the shudder speed and still keep just the right amount of maintain appearance; usually as much as possible to keep the internal ambient light more natural-looking there is a point where. (On the bottom 1/2 – 1 stop) it is important to maintain a lightweight outer appearance that doesn’t look so realistic. If time and budget makes a complete set of practical lighting, this is a very good results, too few low-energy lights and using media, separate display for both interior and exterior, Photoshop masking and can be obtained by combining exposure. Then only a few until you achieve the effect of light light and light only a part of setting up the room, then move the light to another place, and then try to combine the exposures in Photoshop. In any case, as closely as possible to facilitate the masking process, it is preferable to get the exposure with strobe counteracts the external appearance.
The internal exposure of the external light, balance, external, or at least in the range of the inner light of the day when exposure is relatively dark for a photo. Depending on the situation, this external the deepest shade, the light is not so harsh, cloudy days or very early or late if it’s a day, I might. When photographing the southwest, in the afternoon, usually for a few hours in the clouds when it comes during the monsoon season, may not be able to achieve this balance; plan accordingly to your feedback. Many years ago, an interior photography lighting system, has been assessed 4200K when new, continuous light sources; blue 250 -500 watt “daylight” flood lamps (may be formed. Put these lamps, ceiling fixtures and simple reflectors had recessed. This technique is fairly close to the color temperature of daylight balanced; however, the external appearance is not acceptable if “blowing” the external light wasn’t very bright before shooting under the right conditions or time of the day when you need to use the exposure technique produces a soft interior light.
Lighting, architectural and interior photography and composition, color and contrast that are less important should be considered as the key component of that quality is an important factor. Interior exterior architectural photographer, scenic landscapes, both internal and external exposures of a technique that allows total control when you have a situation that requires to be integrated with ingenious lighting is required.